Starring Tatiana Maslany, Jordan Gavaris, Kevin Hanchard, Dylan Bruce, Maria Doyle Kennedy
Created by Graeme Manson and John Fawcett
Orphan Black had me right from the beginning, introducing Sarah Manning and the central mystery of the show in three breath-taking minutes without a wasted moment. Even though there are only 10 episodes, each a little less than an hour long, the season feels full, deep, without feeling busy or crowded. Each episode is a cliffhanger, pulling the viewer deeper into the mystery of the orphans and the high tension acrobatics of impersonation and intrigue that inevitably arise in a series about lookalikes.
The series follows Sarah Manning, an orphan and hustler with a seven-year-old daughter she hasn’t seen in 10 months, a drug dealer boyfriend to whom she owes money, and the exact same face as a woman who just threw herself in front of a train. When she assumes the woman’s identity, hoping to scam enough money to reclaim her daughter and go on the run, she finds herself in trouble with the police, on the run from a killer, and being drawn into a conspiracy involving ever more women who look just like her.
Sarah is my favorite kind of hero. She’s rough around the edges, often casually or even compulsively deceptive, but despite her complicated relationship with her family, she is loyal and, no matter how many times she tries to walk away, unquestionably brave. She can’t walk away, not from her family, not from the orphans, not from the woman whose life she has stolen. Something binds her to the fight, some mixture of loyalty – to her family and genetic twins – and sheer punk rock rebelliousness against whoever is playing games with her life. It’s this combination that makes her the protagonist of the show, and a bonafide hero: even her fellow “copies” look to her for leadership; even the antagonists remark that she is special.
The antagonists, speaking of which, are nicely complicated, and despite the shadows cast by corporatism and mad science, I don’t detect much of the usual science fiction trope of What Hath Science Wrought that’s been part of the genre since its inception. Much like Fringe, which I’ve been watching a lot of lately, the science is as likely to be the solution as the problem. The real problems faced by the characters are much more existential than that, a tangled mess of shared genes, assumed identity, and unfathomable purpose. The villains are charming and monstrous in equal measure, capable of generating sympathy while remaining a very real and dangerous threat. It’s risky to make assumptions in the orphan’s world, and difficult to know who to trust. Who can best protect the orphans from the killer who seems set on eliminating them: the cheerful and charismatic transhumanist or the driven and eminently capable detective? Who has their best interests at heart?
Tatiana Maslany is the core of the show, for obvious reasons, convincingly playing multiple characters, often in the same scene, each with her own motivations and neuroses, strengths and vulnerabilities. She plays both the protagonist and the supporting cast, although the other supporting characters, especially Felix, her foster brother, are also instantly recognizable and endearing. Orphan Black is a well crafted drama based around well-realized characters, and every minute feels rich with meaning, tension, and possibility. Season 1 feels whole and complete and fulfilling, and yet I am so hungry for more. More mystery. More deception, more thrills. More of everything Orphan Black.